Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Anonymous
Anna of Austria with her children

ID: 86900

Anonymous Anna of Austria with her children
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Anonymous Anna of Austria with her children


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Anonymous

unknow artist  Related Paintings of Anonymous :. | The Entry into Jerusalem | Marcia Painting her Self-Portrait | Girl with A Grey Cat | Saint Anthony | The Murcian Orange Seller |
Related Artists:
David de Coninck
(ca. 1644 Antwerp - after 1701, Brussels), also known as Rammelaar was a Flemish painter of the Baroque period. David Koninck was born in Antwerp and studied there under Jan Fyt. After a few years in Paris, he staid in Rome from ca 1671 to 1694, where joined the Bentvueghels with the nickname Rammelaar (rattle). He is sometimes stated to have died in Rome in 1687; however, he returned to his home country and is last recorded becoming a member of the painters guild in Brussels in 1701. His pictures are chiefly landscapes with animals and still life. He is likely unrelated to the generally contemporary Dutch painters, Philip de Koninck, or Philips Koninck (5 November 1619, Amsterdam - buried 4 October 1688, Amsterdam) and the fellow townsman Salomon de Koninck. See Biography by Filippo Baldinucci.
Francisco Barrera
Spanish, 1595-1657,Spanish painter. Although he is sometimes thought to have been a Sevillian painter, his career is documented in Madrid. Barrera enjoyed considerable prestige and authority within the artistic community of the Spanish capital and in 1634 and 1639 represented his profession in significant legal battles concerning the status and rights of painters. However, Barrera's known paintings, all of which are still-lifes, are those of a derivative artist of modest abilities. In Still-life with Basket of Grapes, signed and dated 1642 (Florence, Uffizi), his arrangement of objects in a window-frame and on a stone ledge derives from works by Juan van der Hamen y Le?n but without that artist's refined compositional sense or mastery of pictorial space. The rather weak modelling of objects in this painting is consistent with Barrera's other still-lifes, which are further characterized by their light tonality, bland colouring and monotonous brushwork. Comparable stylistic features are found in the more accomplished still-lifes of Antonio Ponce, with whom Barrera is documented in the 1630s. Barrera's best works are those depicting the Four Seasons, signed and dated 1638 (Seville, priv. col., see 1982 exh. cat., pp. 78-85). These are still-lifes of abundant seasonal foodstuffs and, in landscape settings, large symbolic and genre figures drawn from traditional iconography.
Walter Langley,RI
1852-1922






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